Uka2dhIaxBo/hqdefault.jpg' alt='Best Software For Hip Hop Production' title='Best Software For Hip Hop Production' />The best group in Hip Hop return with their 6th studio album. CunninLynguistss Rose Azura Njano LP follows a main character named Rose, whos afflicted. ProducerSpot ProducerSpot Music Production News, Samples Packs, Best VST Plugins. How to Produce Hip Hop and Pop Music with PicturesEdit Article. Six Parts Equipping Yourself to Produce. Making a Beat. Adding Instrumental Parts. Including Vocals. Finishing Your Track. Here are over 15 free Hip Hop sample packs an free Hip Hop drum kits to add to your collection. Free claps, kicks, snares, and more. Quality Hip Hop Drum Kits, Hip Hop Sounds Hip Hop Drum SamplesLoops. Mixed By PRO Sound Engineers. Loud, Punchy Clear Kicks Snares. Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the. Audition Game For Windows 7. Becoming a Successful Producer. Community Q AHip hop and pop music production incorporate all elements of hip hop and pop music creation, though production generally refers to the instrumental and non lyrical. Basically, hip hop and pop music producers are instrumentalists that make these kinds of songs. This work involves using things like samplers, drum machines, synthesizers, digital audio workstations DAWs, and live instruments. Equip yourself to produce, make the beat, add instrumentals, include vocals if you desire, and finish the track so its quality is top notch. Johnny Juice Disc Makers. On a casual listen, tracks by Jay Z, Tupac, or KRS One might seem simple in construction charismatic rhymes riding a driving, repeating drum groove. But if youve ever tried building hip hop beats on your own from the ground up, you probably already know that producing something propulsive, gutsy, fresh, and original is not such a simple science so where do you beginWe brought in one of the genres founding experts to offer some advice. Multi platinum producer Johnny Juice Rosado is one of hip hops pioneers. Hes worked with artists like Run DMC, Public Enemy, The Beastie Boys, Ashanti, and Dan the Automater, and is a highly respected DJ and scratcher as well. Heres what Juice recommended in order to give your original hip hop beats the funk and power they need. Find a unique influence. When developing your own unique voice as a beat programmer, Juice recommends latching on to an influence that inspires you whether its within hip hop or not and digging in deep. Study what makes that musician, composer, producer, or vocalist sound the way they sound, he says. And then apply that to what youre doing. Juice has long taken his own advice in this regard, paying tribute to diverse influences in his production and DJ work. I dont scratch like a DJ, he explains. I always wanted to scratch the way renowned Latin percussionist Ray Baretto played conga. I also scratch to recordings by Bobby Timmons, whos a great jazz piano player. He plays very intricate solos and I like to scratch along, matching those rhythms. Regardless of whether your influences come from grunge or go go, Juice affirms that listening closely and studying any style that inspires you will help you bring a fresh perspective to whatever beats you end up building. Learn about drums and other instruments. Juice recommends becoming as proficient as possible playing at least one instrument not just programming samples of it and learning at least the basics of as many others as possible. I see a lot of producers not understanding how drummers actually play drums, he says. They have the hi hat playing throughout a song, and if youve ever watched a drummer play, you know that when he or she does a fill, the hi hat usually stops until the fill is over. Even if youre using a drum machine thats not supposed to sound like a real drummer, you still want to program it as if a real drummer were playing. Also, I always have a crash cymbal hit with the kick drum underneath it to give the hit more power because thats the way a lot of real drummers play. Knowing even one instrument comes in really handy when it comes time to program, he continues. If youre studying drums and want to build a beat, start with the drum track. If youre studying bass, then thats your launching pad. Build your sound library. Keyboard synthesizers, software based virtual instruments, DVDs full of exotic drum hits the sounds you use to build your beats can come from all over the place, and Juice recommends amassing as deep, diverse, and unique a collection as possible. Learn what the santour is he says. Its a really cool sounding Persian instrument kind of like a guitar, but played with sticks. It sounds great so try starting with that and constructing a beat around it. Make sure you have all sorts of unusual things like that in your repertoire. A new sound can be a creative spark, and you tend to program differently when you use different sounds. Start with a song you loveIf youre having trouble finding inspiration, I always recommend sampling your favorite record, throwing drums underneath it, adding some keyboard parts on top and then taking the sample out, says Juice. What youre left with is a mirror image of that song that you love, but its your own. It may have the same tempo and chord progressions as the original song, but itll be something new thats unique and really yours. From there, he says, continue adding other elements to fill the space left by the original sample you were using for inspiration. This technique can work with a track of nearly any genre country, reggae, metal, you name it. Just make sure that whatever record you use as source material has a good groove and gets you excited about making music. Dont forget to panPanning is a lost art in hip hop, says Juice. A lot of hip hop records today just sound like one big mono track. Or everything just gets panned hard right and hard left. Regardless of whether your drum sounds come from an acoustic drum kit or a classic Roland TR 8. Juice. You have to have a panning arrangement that gives everything its space. I always pan snare drums a little to the right, because if Im looking at a drummer, the snare is a little to the right. The hi hat is a little further to the right. Toms go from right to left, from higher pitch to lower pitch. Quick tip If youre unsure of where to pan any particular drum sound, listen to a few classic jazz albums on a good pair of headphones and pay special attention to what sonic elements are placed where, left to right. Be aware of mono and stereo. Many of the sounds used in hip hop beats come from popular keyboard synthesizers like the Korg Triton and Yamaha Motif, says Juice but when outputting sounds from these powerful instruments into an audio interface to record, he warns that you have to be careful. When you record from a Triton, you have the left and right outputs going into channels 1 and 2 of the mixer, so its easy to record everything that comes out of the keyboard as a stereo track, he says. That can lead you to record something in stereo that should just be mono, like a kick drum or snare drum. If youre recording a sample that comes from a single point source like a kick or snare just record it from a single output as a mono track, then pan it over a bit, says Juice. Because many producers record all of their sounds in stereo from the keyboard, they just assume that theyre already panned correctly, and theyre not. If youre recording a kick sound in stereo, youre basically just recording two identical mono tracks sandwiched together. You have to do the panning yourself. Avoid sloppy tuning. To create a unique sound, hip hop producers often change the tuning of a sample, making it sound higher or lower in pitch than the original. Theyll detune and slow down a sample to a point where its unrecognizable, says Juice. Thats fine but at least learn your notes on the piano so when you detune your sample, its tuned to a real note, not some gray area between E and E flat. Why is tuning such an important thing When a singer or live musician comes in to record over your beat, it can cause problems, he continues. I fix a lot of that in my studio. If the vocalist sounds like shit, the problem usually is that the sample isnt tuned correctly. Imprecise de tuning of a sample can also cause problems if you choose to add sampled bass lines, or other melodic elements to your jam. Synthesizers and virtual instruments are usually tuned correctly, so they can really grate if you have them playing up against a badly tuned sample. Leave spaceRemember that the vocals are the last instrument in any beat, says Juice. The rapper or singer is whats needed to finish the beat when youve finished programming it, your beat should be at the point where all you need to do is add vocals, mix, and serve.